About Me:

My name is Preston Hazard. I am a filmmaker, photographer, and musician from Harwinton, Connecticut.

My interest in media began while I was still in elementary school. Inspired by the story driven imagery in my grandfather's National Geographic magazines, I picked up a 35mm point and shoot camera and began photographing everything I could. Not long after, around 2010, I was lucky enough to receive a Canon 5D Mark II. That camera opened an entirely new world for me; videography.

Since then, I have spent well over a decade developing my skills in filmmaking, photography, editing, animation, music production, and digital media. What started as a hobby quickly became a lifelong passion and, eventually, a career.

My professional career began at seventeen years old when my animated television series, Fundamentally Cynical, was picked up by Amazon and streamed for two seasons. Creating that series taught me far more than animation alone. I was responsible for nearly every aspect of production, including writing, directing, cinematography, editing, sound design, original music, voice recording, character design, commercial animation, digital marketing, scheduling, and working with voice actors and collaborators and even celebrity guests. Through that experience I also developed a strong understanding of television production standards, broadcast formats, and the complete production process from concept to final delivery. The series was later described by Forbes as a "cult series."

Music has always been another major part of my creative life. In addition to filmmaking, I write, record, and produce my own original music, compose for my projects, and design sound.

Wanting to continue building on those skills, I enrolled at CSB Media Arts (formerly the Connecticut School of Broadcasting), where I expanded my knowledge of professional video production, Adobe Creative Cloud, industry workflows, broadcast terminology, post production, and television standards.

Following graduation, I joined Full Power Radio (WDRC AM/FM) in Bloomfield, Connecticut, as a live broadcast intern. There I assisted with setting up, operating, and breaking down both remote and in studio broadcasts while working directly alongside on air talent and engineering staff. The experience introduced me to the fast paced world of live broadcasting, where attention to detail, teamwork, communication, technical troubleshooting, and the ability to remain calm under pressure were essential every day.

Today, I continue to build on that experience as an intern with the three time Emmy winning documentary studio Seedling TV. Working alongside an experienced production team, I assist with filming, editing, color correction, sound design, and post production on documentaries, podcasts, and promotional content while contributing to deadline driven production workflows. The internship has strengthened my ability to collaborate within a professional creative team while continuing to refine my technical and storytelling skills.

Outside of my professional work, I've filmed television commercials, covered high school and collegiate athletics, photographed concerts and public figures, and contribute photography to Getty Images. My work has taken me from documentary filmmaking and commercial production to sports media, photography, animation, and digital storytelling, giving me experience across nearly every stage of modern media production.

Some Quick FAQ's about me and what I do:

Where were you born?

I was born on December 8, 2001, in Nashville, Tennessee, USA.

Do you use AI?

While I am not entirely opposed to using AI for certain administrative purposes, I will never use generative AI to create or alter my music, film/video work, photography, or other creative work.

I may use AI for administrative tasks such as writing emails, checking grammar, finding links and resources, and, in limited circumstances, sharpening overtly grainy images for my documentary series Hazardous Exploration. Whenever AI is used in Hazardous Exploration, I make a point of explicitly disclosing exactly when and where it was used throughout the relevant video.

Can you shoot my project on film?

Yes. At this time, I offer still photography on 35mm analog film. I hope to add a 16mm motion-picture service in the future.

I want my ad campaign or photo project shot on 35mm film. How much extra will it cost?

That depends on the film stock you choose and how many rolls the project requires.

I charge the current market price for the film itself, plus the costs of development, scanning, and shipping.

What film stocks do you use, and what is the current price for each?

I currently offer two film stocks:

• Kodak Ektacolor Pro 400 - $20 per roll
  
  

• Kodak Ektachrome E100 color reversal film - $31 per roll
  
  

Film prices are subject to change based on current market pricing and availability.

I just booked you for a video or still photography project. What equipment will you use?

For digital video and digital photography, I use a Leica SL (Typ 601) mirrorless camera paired with an assortment of Leica R prime lenses.

For 35mm photography, I use a Nikon F4 paired with a 50mm f/1.8 prime lens.

Specific equipment may vary depending on the requirements of the project.

What is your current hourly rate for photography and videography?

My current rate is $150 per hour, plus travel, for both video and still photography.

Additional expenses may apply depending on the scope and requirements of a project.

How can I book your services?

Feel free to send me an email using the address listed in the “Contact” section of this website. Please include as much information as possible about your project, including the type of work you need, date(s), location, approximate hours, and any relevant creative or technical requirements.

Contact:

Email me @ Preston at Preston Hazard Dot Com